Son of Sathyamurthy has got good intention and good moral values. Hence, we expect another hugely satisfying film from their combination. Producer S Radha Krishna (Chinababu) has spent a lot of money on production and casting.Īnalysis: Both Allu Arjun and Trivikram are at high point of their career after delivering Race Gurram and Attarintiki Daaredi respectively. Prawin Pudi is fine with editing, but runtime looks lengthy (it’s director call anyway). Action sequences composed by Peter Hein are partly good. Cinematography by Prasad Murella is picturesque. Trivikram who is the best dialogue writer in Telugu film industry comes up with nice humor-laced and thought-provoking dialogues. I personally liked Super Machi song on screen. Other departments: Songs scored by Devi Sri Prasad are alright. Because the screenplay is not gripping enough, the emotional connection (audiences traveling along with hero and sympathising with his problem) becomes tentative. But in SoS, it’s a three phase action plan of convincing three people in order to uphold his father’s esteem. In Attarintiki Daaredi, it had a single goal of impressing his maternal aunt and has a straightforward narration. Since, the story involves three romantic threads and has conflicts with three character artists/villains (each villain has a family problem), it’s very difficult to write a screenplay that keeps reminding audience of the main goal of hero.
He had 3 major character artists as villains who later become good men (each one is related to one heroine). He had one heroine dedicated to 1st half, another one to second half and the main heroine for entire movie.
#SUPER MASTI SONG SON OF SATYAMURTHI MOVIE#
He revealed the basic plot point in the first 10 minutes of the movie (like he did for Attarintiki Daaredi). Trivikram is a director who has thrived on family values in his films (except for Khaleja and Jalsa). Story - screenplay - direction: The basic story idea of son upholding the values and esteem of his deceased father is a very potential one. Sneha played Upendra’s wife and she is adorable. Chaitanya Krishna played a small role of a docile lover. Though acted in a few scenes, Sree Vishnu is brilliant. Sampath Raj is wasted in a role of limited screen-time. Brahmanandam’s character introduction is good. Rajendra Prasad played a character of varied attributes. Prakash Raj is perfect for the role of father. Nitya Menen is limited to second half and her role doesn’t require an actress of her calibre. Adah Sharma is limited to first half of the movie and she is fine. Samantha is cute as the main leading lady. One of such different modulation is inspired by Chiranjeevi’s drunken scenes. He has modulated his dialogue delivery in different ways in this movie. Rest of the story is all about how far Viraj goes to live up to the values his father has imbibed him.Īctors: Allu Arjun is an entertainer and he performs exceedingly well in a character that goes to any length to protect his father’s reputation. But he foregoes 300 crores to make sure that his noble father’s image is not tarnished. He has an option to go for insolvency and save 300 crores. Viraj has 300 crores worth property and loans for the same amount. Sathyamurthy is a billionaire businessman with great human values. Viraj Anand (Allu Arjun) is son of Sathyamurthy (Prakash Raj). Theater watched: Bramarambha, Kukatpally, Hyderabad Cast : Allu Arjun, Samantha, Adah Sharma, Nithya Menen, Prakash Raj, Upendra, Rajendra Prasad, Rao Ramesh, Ali, Brahmanandamm Sampath Raj, Vennela Kishore, Sree Vishnu, Chaitanya Krishna, Sneha & Sindhu Tolani etc
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